Alison Leigh has been editorial director of WCSFP for over a decade. Under her direction the session program has acquired the reputation of being the world’s best for tracking the trends and engaging in provocative and engrossing debate around issues affecting our genre.
Previously she played a leading role in producing and commissioning science TV programs in Australia, including six years as series producer and then executive producer of ABC TV Science Unit. She helped develop National Science Week in Australia and is a founding member and past president of the Australian Science Communicators.
Outside of her WCSFP commitments, she works as a freelance writer and producer. Alison offers a comprehensive service from producing and executive producing to content origination, script writing and script editing. She also hosts and runs workshops and events.
As the head of Factual of ABC, Steve is responsible for the editorial direction and commissioning of a broad slate of external and internal factual programs. Under Steve's leadership, ABC Factual has delivered a raft of acclaimed and successful titles including War on Waste, Stargazing Live, Anh’s Brush with Fame, Ask the Doctor, Conviction, Ice Wars, Keeping Australia Alive and Bullied, as well as the ABC's science brand, Catalyst.
Iain Dodgeon leads global health foundation Wellcome’s strategic development and growth in the entertainment industries. As a TV producer he worked at companies including Endemol, STV and BBC, developing long-running factual formats and documentaries. At Wellcome he pioneered the charity’s work with the games sector, building a portfolio of multi-award-winning games, including recently released Hellblade: Senua’s Sacrifice. Now he oversees Wellcome’s complete entertainment portfolio. Recent releases include documentaries Out of Thin Air, A World Without Down’s Syndrome and Against the Law; series Addicted Parents and The Secret Life of 4, 5 and 6 Year Olds; comedy series Quacks; and feature films Dark River and Journeyman. He previously worked as a medical doctor.
YUZU Productions (France)
Fabrice Esteve is an experienced French independent producer with a strong track record in international co-productions. Since 2012, he heads YUZU Productions together with Christian Popp. In 5 years YUZU Productions has produced 20 hours of documentaries, most of them in coproduction with international producers, and with broadcasters such as ARTE, Showtime, France Televisions, Smithsonian Networks, CBC, ZDF, CCTV10, Al Jazeera Networks, RTS, RTBF, VRT, SVT, TVC, TVE, YLE, S4C, TG4, UR, RTP, Ceska Televise and ERT
Recent productions include Brains in Danger, Cyborgs Among Us, Becoming Cary Grant, Letters from Baghdad, The Race to Dope, Free to Run (theatrical), The E-Waste Tragedy, The Bloody Truth. Between 1994 and 2011, he worked at Tele Images, VM Group, Ampersand, Gedeon Programmes, and Docside (now Zed).
He is one of the co-founders and the current president of the French Association Science & Television gathering 50 production companies, and of the Pariscience international film festival.
ZDF German Televison (Germany)
Beach House Pictures (Singapore)
With over 20 years of experience producing factual content, Jocelyn has an extensive depth of knowledge about the Asian and international content markets. In 2007 she co-founded Beach House Pictures and has since help grow the company into one of largest independent production companies in Asia with offices in Singapore, Beijing and Taiwan.
Rosario López Foncea
Cabala Productions (Chile)
Rosario López is a Chilean journalist and professional in audiovisual communications, with fifteen years of experience in research, content edition and documentary production, TV series, feature films, historical series, filmmaking and digital platforms related to science, culture and social history. She currently works as a content editor in Cabala Productions, a leading audiovisual company based in Chile and Colombia, specialized in science and history, targeting children and family audiences, through multiple platforms and formats. Her area of expertise is researching stories, voices and archives around Latin America, to bring fresh points of view to our history and culture. She participates as a lecturer in scientific and television congresses, always trying to promote science, cultural history and factual contents to all audiences.
Joseph has developed, directed and produced high end, prime time documentaries for most of the major broadcasters in Britain and America, working for many of Britain's leading production companies. He started as commissioning editor for SBS in January 2012 and became head of Documentaries in June 2016.
Tom McDonald is the head of commissioning for Natural History & Specialist Factual at the BBC. Recent commissioning highlights include the BAFTA and Emmy winner Planet Earth II, BAFTA winner Muslims Like Us, BAFTA nominees The Doctor Who Gave Up Drugs and Life That Glows; and recent ratings successes The Day The Dinosaurs Died and The Fifteen Billion Pound Railway. He also oversees some of the BBC’s most successful specialist factual returning series including Springwatch, Trust Me, I’m A Doctor, Inside The Factory and The Truth About... strand.
Primitive Entertainment (Canada)
Michael oversees Primitive Entertainment’s selection of projects and focuses on the company’s many relationships with broadcasters, distributors, co-production partners, industry organizations and government agencies. Internationally, Michael has forged partnerships with co-producers and investors in Britain, Europe, Australia and Japan.
Michael is the Co-Chair of the Board of Directors of Hot Docs, North America's largest documentary film festival. He is the Co-Chair of the Toronto Chapter of the Documentary Organization of Canada; an industry group representing 700 documentary filmmakers across Canada. Michael has also served as the Documentary Producer Mentor at The Canadian Film Centre (CFC).
National Geographic Channel (USA)
Charlie Parsons is Vice President of Development for the National Geographic Channel, responsible for developing new projects, discovering new talent and serving as one of the network’s main points of contact for the global production community. Since joining the Channel in 2010, Parsons has developed popular series Doomsday Preppers, Inside Combat Rescue, and Mars, as well as the global event Earth Live. He developed the Emmy Award–winning special Space Dive, as well as the Emmy Award–winning feature doc LA 92. He also served as an Executive Producer on the network’s most watched program in history, the Emmy nominated three-hour movie event Killing Jesus, as well as the second and third most watched programs, Killing Kennedy—also Emmy nominated for Outstanding Television Movie—and Killing Lincoln, respectively.
Prior to joining National Geographic, Parsons spent three years as Senior Director of Content at Travel Channel Media, during which the network garnered prime demo rating and delivery growth for seven consecutive quarters. Parsons developed more than 200 hours of programming, found new talent and executive produced some of the network’s most successful hits, including Man v. Food, Ghost Adventures and the Emmy Award-winning series Anthony Bourdain: No Reservations.
Before joining Travel Channel, Parsons was an Executive Producer with Discovery Channel and The Science Channel, overseeing series and specials, including Survivorman, FutureCar, 2057, Cracking The Ocean Code and Supercomet: After the Impact. Parsons spent the first 13 years of his career in live sports television production, working with ESPN, ABC and CBS. He is a graduate of Brown University.
Since Takeshi Shibasaki joined NHK in 1997 he has been worked on programs about science, nature and the environment. As a highly experienced mountain climber, he has put his outdoor experience to good use when researching and shooting the Arctic Ocean, the tropical rainforests of Southeast Asia, alpine glaciers and other places where the environment is changing. His directing and producing credits include 3D Planet Live, Total Solar Eclipse, Crumbling Earth, Deep-Sea Exploration: Tracing the Birth of Life, and The Sea of Zipang, as well as award-winning The Arctic Circle, which was co-produced by NHK, Telepool GmbH and National Film Board of Canada, in association with Discovery Channel Canada, and Surviving the Tsunami, which was broadcast in dozens of countries and won the Peabody Award. Shibasaki is now the editor of the weekly space program Cosmic Front NEXT.He is actively making use of 4K/8K and VR technology encompassing planetarium and game use.
Screen Queensland (Australia)
Tracey Vieira was appointed as Chief Executive Officer of Screen Queensland in February 2014, the latest role in a stellar career promoting the Australian screen industry in Queensland and the United States. Tracey is a champion for the Arts and its influence on our well-being and identity and has worked in a range of Directorships across the arts in music, precinct development, visual arts and creative place making.
Tracey graduated from QUT with a Bach Ed. majoring in Film and Media in 1993. She initially worked in events management, including several roles in the Queensland Events Corporation, before securing a position with the Brisbane-based Pacific Film and Television Commission as Executive Manager - Locations and International Production.
Tracey moved to Los Angeles in 2004 where for the next ten years she took on senior roles at Ausfilm, the industry-government partnership that connects the international screen industry with Australia's screen incentives, talent and facilities.
At Ausfilm and later Screen Queensland she has played an integral role in attracting more than $1.5 billion in production investment in Australia, including Warner Bros. Aquaman, Marvel's Thor: Ragnarok and Disney's Pirates of the Caribbean: Dead Men Tell No Tales.
Since returning Tracey has launched new initiatives for the industry including the first feature film with SVOD company Stan, a creative partnership initiative with YouTube, a business building program, Australia's first VR series with a broadcaster and led significant cultural change within the organisation. Tracey also introduced the organisations first Aboriginal and Torres Strait Islander Strategic Plan and a Gender Equity Policy to drive change both behind and in front of the screen.
Tracey is a Non-Executive Director of RSPCA QLD, The Arts Centre Gold Coast, Sunshine Coast Arts Advisory Board and MediaRing. She is an external Advisor to US based Australians in Film and The Queensland College of Art and a previous Director with QMusic.